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Art --- Good Samaritan (Parable) in art --- 091.31:7.04 --- 225 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Themes, motives --- Bijbel: Nieuw Testament --- Subjects --- Book history --- Bible --- Iconography

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Painting --- Manuscripts. Epigraphy. Paleography --- Percival [Fictitious character] --- 091:82-13 --- 091 =30 --- 091.31:7.04 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091 =30 Handschriftenkunde. Handschriftencatalogi--Duits --- Handschriftenkunde. Handschriftencatalogi--Duits --- 091:82-13 Handschriftenkunde. Handschriftencatalogi-:-Epiek --- Handschriftenkunde. Handschriftencatalogi-:-Epiek

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091:133 --- 091.31:7.04 --- 091 <41 LONDON> --- Handschriften i.v.m. occulte wetenschap --- Verluchte handschriften: iconografie --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- Illumination of books and manuscripts, Medieval. --- Magic in art. --- 091.31:7.04 Verluchte handschriften: iconografie --- 091:133 Handschriften i.v.m. occulte wetenschap --- 091 <41 LONDON> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- Magie --- Magie dans la litterature --- Enluminure medievale --- Dans l'art --- Ouvrages illustres --- Moyen âge

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In the fourth century the idea arose that the Cross on which Christ was crucified had been found by Helena, mother of Emperor Constantine. Thus began a legend that would grow and flourish throughout the Middle Ages and cause the diffusion of countless splinters of holy wood. And where there is wood, there was once a tree. Could it be that the Cross was made from that most noble species, the Tree of Life? So, gathering characters along the way, the legend evolved into a tale that stretches from the Creation to the End of Time. A Heritage of Holy Wood is the first reconstruction of the iconographic and literary tradition of the Legend of the True Cross. Its broad scope encompasses relic cults, pilgrimages, travellers' tales and the Tree of Life and involves Church Fathers, crusader kings, Teutonic Knights and mendicant orders, all of which influenced the legend's depiction from its earliest representation in manuscripts, reliquaries and altarpieces, to the great monumental cycles of the high Middle Ages. If the holy wood was the medium of medieval memory, A Heritage of Holy Wood reveals the growth rings of fifteen centuries of imagery.

Holy Cross --- Art, Byzantine. --- Art, Medieval. --- Legends --- Art [Byzantine ] --- Art [Medieval ] --- Art byzantin --- Art médiéval --- Byzantijnse kunst --- Byzantine art --- Kunst [Byzantijnse ] --- Kunst [Middeleeuwse ] --- Medieval art --- Middeleeuwse kunst --- Iconography --- Christian church history --- Christian special devotions --- anno 500-1499 --- 091.31:7.04 --- 246 --- Academic collection --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Christelijke kunst en symbolisme --- Religion Art in Christianity --- Art, Byzantine --- Art, Medieval --- Sainte Croix --- Art médiéval --- Art --- Légendes --- Christian art and symbolism --- Cross --- Feast of the Cross --- Art. --- Holy Cross - Legends - Art.

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Medieval images, especially manuscript illuminations, have long been treated independently of the contexts in which they were created. These beautiful miniature paintings, frequently valued as keepers of documentary evidence or as curious artistic commodities, have only recently become the focus of art historians concerned with new questions related to medieval working methods, audience and the status of the visual in the Middle Ages and the modern era. 'Excavating the Medieval Image' argues that the illuminated image is best understood as thoroughly integrated in the material context of the manuscript - and thus, integrated in a cultural context of production and reception. Seen in this way, the manuscript and its images become a kind of archaeological site, which must be carefully unearthed layer by layer. The fourteen essays gathered here are written by scholars of both medieval and Renaissance art history, and demonstrate varied methodological approaches that combine the pursuits of traditional connoisseurship and iconography with those of critical theory and historiography. In addition, the authors contribute more broadly to important interdisciplinary issues such as the study of gender, text and image, and the history of literacy and the book.

Manuscripts. Epigraphy. Paleography --- Painting --- Iconography --- anno 500-1499 --- Art, Medieval. --- Illumination of books and manuscripts, Medieval. --- Women art patrons --- Women artists --- Art, Renaissance. --- Art médiéval --- Enluminure médiévale --- Femmes mécènes --- Femmes artistes --- Art de la Renaissance --- History --- Histoire --- Art, Medieval --- Illumination of books and manuscripts, Medieval --- Art, Renaissance --- 09 <082 HINDMAN, SANDRA> --- 091.31:7.04 --- Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--HINDMAN, SANDRA --- Verluchte handschriften: iconografie --- Festschrift - Libri Amicorum --- 091.31:7.04 Verluchte handschriften: iconografie --- 09 <082 HINDMAN, SANDRA> Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--HINDMAN, SANDRA --- Art médiéval --- Enluminure médiévale --- Femmes mécènes --- Art patrons --- Women benefactors --- Artists, Women --- Women as artists --- Artists --- Painting, Medieval --- Renaissance art --- Medieval art --- Women art patrons - Europe - History - To 1500 --- Women artists - Europe - History - To 1500